Shino Recipes I use.

Salt Shino
Cone 10 Reduction
(This glaze is used on the second teabowl at the bottom of this page. The green is ponderosa pine ash)

NPHSY___68.18%
OM4___13.64%
EPK___9.18%
TIN___4.50%
REDART or DESERT CLAY___4.50%
Total above=100%
Add: KOSHER SALT___4.50%

NOTES:
Dissolve salt in warm to hot water before adding to batch.
This glaze and most other shino type glazes are dependent upon claybody, thickness of application, length of time from glazing to firing and reduction. Generally this glaze will fire toasty brown where thin to a creamy, blushing white where thick and will crawl where very thick. Under certain high reduction conditions this glaze might fire to a gold luster finish.

Malcom Davis Shino (original)
Cone 10 Reduction
(This glaze is used on the third & sixth teabowl at the bottom of this page. The orange is a result of finger wiping the glaze when wet.)

SODA ASH___17.27%
KONA F-4___9.82%
NPHSY___40.91%
EPK___18.18%
OM4___13.82%
Total above=100%

NOTES:
Dissolve the soda ash in warm to hot water before adding to batch. USE CAUTION when handling SODA ASH it is very CAUSTIC.
This glaze and most other shino type glazes are dependent upon claybody, thickness of application, length of time from glazing to firing and reduction. Good Carbon Trapping with reduction starting at about 1645F. This glaze can vary greatly with time between glazing and firing. Use wax to stop the migration of the soda ash to the surface during drying to create areas of less carbon trapping. This glaze has many faces so I encourage lots of experimentation.